Chamber- Without Voice
Dance Vignettes (2021) c. 13 mins
for Solo Marimba
1. Meditations and Hymns
2. Fancy and Flight
3. Scamper and Scoot
Commissioned by Claire Edwardes for the Rhythms of Change project, with assistance from the APRA/AMCOS Creative Recovery Fund, and the Modest Expectations Foundation.
Score available here. Listen via your regular streaming platform, or purchase CD here.
for Solo Marimba
1. Meditations and Hymns
2. Fancy and Flight
3. Scamper and Scoot
Commissioned by Claire Edwardes for the Rhythms of Change project, with assistance from the APRA/AMCOS Creative Recovery Fund, and the Modest Expectations Foundation.
Score available here. Listen via your regular streaming platform, or purchase CD here.
Grounded (2021) c. 6 mins
for Guitar and Cello
One of three recipients of the Momentum III Sue W Covid-19 Special Commissions, supported by the Australian Music Centre and the Sydney Conservatorium of Music, sponsored by Richard and Sue Willgoss.
Composed for Slava and Sharon Grigoryan.
Performance at the Melbourne Recital Centre available to watch here.
for Guitar and Cello
One of three recipients of the Momentum III Sue W Covid-19 Special Commissions, supported by the Australian Music Centre and the Sydney Conservatorium of Music, sponsored by Richard and Sue Willgoss.
Composed for Slava and Sharon Grigoryan.
Performance at the Melbourne Recital Centre available to watch here.
Songs Without Words (2020) c. 15 mins
for Piano Trio
Commissioned by the ABC Fresh Start fund for the Benaud Trio.
Listen and read about the work here or on my blog.
for Piano Trio
Commissioned by the ABC Fresh Start fund for the Benaud Trio.
Listen and read about the work here or on my blog.
A Room of Her Own (2020) c. 30 mins
for String Quartet and bowed crotales
Commissioned for the Australian String Quartet by the Elder Conservatorium of Music with support of the John Bishop Memorial Commission.
Read more about the work in my blog.
for String Quartet and bowed crotales
Commissioned for the Australian String Quartet by the Elder Conservatorium of Music with support of the John Bishop Memorial Commission.
Read more about the work in my blog.
Skittled (2015) c. 11 mins.
for String Quartet
Commissioned by ASME (SA Chapter) as Composer-in -Residence for the 2015 Young Composer's Program.
Premiered by the Australian String Quartet.
for String Quartet
Commissioned by ASME (SA Chapter) as Composer-in -Residence for the 2015 Young Composer's Program.
Premiered by the Australian String Quartet.
Imperfect Fourth (2004) c. 16 mins
for Guitar Quintet
Commissioned and premiered by Zephyr Quartet with Alex Tsiboulski (guitar)
Listen here.
for Guitar Quintet
Commissioned and premiered by Zephyr Quartet with Alex Tsiboulski (guitar)
Listen here.
Late Night Miniatures (2018) c. 5 mins
for Recorder and Violin
1. 10pm; 2. 11:59pm; 3. 3am
This arrangement completed for Dual Aura (Ben Dollman and Monica Schmidt Andersen) and premiered for Musica Viva Sessions, October 2018.
Original version for Violin and Viola duet (2003)- available upon request.
Moto Perpetuo (2011) c. 8 mins
for Piano 4 hands
Commissioned by The Firm New Music. Premiered by Cody Green and Leigh Harrold, September 2011.
Listen here.
for Piano 4 hands
Commissioned by The Firm New Music. Premiered by Cody Green and Leigh Harrold, September 2011.
Listen here.
Lullabies and Crooked Dances (2007) c. 12 mins
for Oboe, Clarinet and Bassoon
Commissioned by Soundstream New Music for the Adelaide Contemporary Music Festival, 2008. Premiered by Trio d'anche Suave, Adelaide Festival Centre, 2008.
Listen here.
for Oboe, Clarinet and Bassoon
Commissioned by Soundstream New Music for the Adelaide Contemporary Music Festival, 2008. Premiered by Trio d'anche Suave, Adelaide Festival Centre, 2008.
Listen here.
FourTune (2006) c. 10 mins
for Flute, Clarinet, Viola, Double Bass, Piano, Harp and Percussion
Commissioned for the 2006 Bodytorque program, in conjunction with National Music Camp and The Australian Ballet.
Performed by the Sonic Art Ensemble, Conducted by Nicolette Fraillon, with dancers from the Australian Ballet, Choreographed by Paul Knobloch.
Preview score extract here.
for Flute, Clarinet, Viola, Double Bass, Piano, Harp and Percussion
Commissioned for the 2006 Bodytorque program, in conjunction with National Music Camp and The Australian Ballet.
Performed by the Sonic Art Ensemble, Conducted by Nicolette Fraillon, with dancers from the Australian Ballet, Choreographed by Paul Knobloch.
Preview score extract here.